![]() The works are to be shared jointly between the Tate and the National Galleries of Scotland. ![]() The works come from 1,600 artworks gifted to the museum by British art dealer Anthony d’Offay, which together comprise the largest gift by an individual to the institution to date. Serota emphasized that while the Tate’s collection has always been strong in modern masters, from Picasso to Rothko, it’s made a concerted effort at the start of the 21st century to expand globally and collect artists who have been otherwise under-presented in the past.Ī highlight of the Switch House’s new exhibitions programming, which will fill three additional gallery spaces, will be the Artist Rooms series. When the Tate reopens on June 17, 2016, it will present a complete rehang of its collection with a focus on presenting acquisitions made since 2000. He also explained that the unique “ziggurat” shape of the Switch House is the result of zoning limitations and considerations about blocking light to neighboring buildings. “The real gain from this project is the ability to show more of the Tate’s collections,” he said. (Photo: © Hayes Davidson and Herzog & de Meuron)Īt a presentation held in New York on Friday-coincidentally at the former Chelsea townhouse and studio of the artist whose work will inaugurate the new space, Louise Bourgeois-Tate director Nicholas Serota discussed the impact the new building would have on the museum’s future. (According to figures from the Tate, while it’s only half the size of New York’s MoMA it has twice as many visitors each year.) The new Tate Modern (exterior view from the south). The space was originally built to accomodate 2 million visitors annually, but it’s been averaging 5 million. The expansion is so big it will increase the size of the museum by 60 percent, which seems appropriate considering the sharp rise in attendance the institution has seen in recent years.
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